After all, plenty of guitarists know how to play this scale but not many use it because it has a pretty weird, unsettling sound. Going from an Eastern-flavoured semitone – tone feel to … Also fine: augmented triads (as long as they don’t imply a major 7.) If we use the other voicing, the thirteenth, then we use the sharpen fifth - we take that form of it. F Whole-tone scale . Other Triads: 4 Notes Chords: C#7b5 C#7#5 D#7b5 D#7#5 F7b5 F7#5 G7b5 G7#5 A7b5 A7#5 B7b5 B7#5. From each scale degree, you can build these triads by alternating notes (intervals of a 3rd) within the scale. … Since the melody may trump … Pattern Repetition in the whole-tone scale is especially pronounced. E.g. E Whole-tone scale . Mixolydian (b9) (b13) 20. Diatonic 7th Chords 14. The whole tone scale is a six note scale in which there are only whole steps between adjacent notes. For example, every second and third is major, every fourth is a tritone, and every sixth and seventh is minor. This means that two non-enharmonic diminished scales share 4 diminished triads, but no major or minor triads. You see, a whole-tone scale (A scale made of all whole-tones) only has three possible intervals (excluding inversions). When you build triads on each note of the whole tone scale, all of them are augmented triads: This means you can start by playing a G augmented triad over G7#5 and go up or down the guitar neck every 2 frets, such as in this example: Diminished Scale Half-Step Whole Step 24. What I mean by that is that it is a construction of notes and not something like a key. When you play the whole tone scale over minor chords you always play it a half step down. Play A Whole Tone over A dominant 7 so you can hear how it sounds. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. As a result, there are major triads and minor triads. The Whole Tone scale exists with two sets of notes: C - D - E - F# - G# - Bb (shown above) C# - D# - F - G - A - B This is because there is no leading note in a whole tone scale, since it can be played symmetrically from any note on the keyboard, and all the intervals are the same. The principle of relating chords to scales is essentially quite simple: Any chord made entirely from scale tones (and not having any notes from outside the scale) is related to the scale, and is likely to suit a piece of music written in the scale. Another common hexatonic scale is the whole tone scale. The first part of the definition says, ‘…a collection of three…’ For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia) One-octave C Whole-tone scale . since all the notes in a whole tone scale are a whole step apart the triads will all be augmented triads. Please permit me to refresh your mind on the whole tone scale before we proceed. Chromatic Whole Tone Scale … A Short Note On The Whole Tone Scale. Chords that fit in this scale: Normal Triads: C#aug D#aug Faug Gaug Aaug Baug. The Chromatic Whole Tone Scale is a great alternative to use over the diminished scale due to the fact of it having a lot more triad combinations. Starting from C: …and moving upwards in a fixed whole step interval: C to D: D to … (6.2) Scale Tone Triads. Building Triads. Scale 1365: Whole Tone: Scale 1363: Gygimic: Scale 1371: Superlocrian: Scale 1375: Bothyllic: Scale 1351: Aeraptimic: Scale 1359: Aerygian: Scale 1383: Pynian: Scale 1399: Syryllic: Scale 1303: Epolimic: Scale 1335: Elephant Scale: Scale 1431: Phragian: Scale 1495: Messiaen Mode 6: Scale 1111: Sycrimic: Scale 1239: … the C half-whole diminished scale and the C# half-whole diminished scale share these triads: C#dim Edim Gdim Bbdim while the C half-whole diminished scale and the B half-whole diminished scale share these triads: The whole tone scale can be a bit too transparent to use frequently during improvisation. scales with a unique collection notes) and then the various modes of those two scales: G Wholetone Scale = G A B C# D# F C Wholetone Scale = C D E F# G# A# the tritone in chords The Tritone’s Diabolical History. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). An Augmented triad can also be built on the 5th degree, as is … I’ve found that by conceiving of it both in augmented triads and with chromatic passing tones it becomes a little less obviously “whole tone”. It has two non-enharmonically equivalent positions: C D E F ♯ G ♯ A ♯ C and D ♭ E ♭ F G A B D ♭ . E-flat Whole-tone scale . According to Jermaine Griggs, “…a triad is a collection of three related notes (agreeable or not) that maybe played together or separately.“ Permit me at this point to breakdown this definition of a triad so that you can have a better understanding. Whole Tone Scale – Starting on C. The C whole tone scale above is comprised of the notes of a C augmented triad and a D augmented triad. Diminished Scale 22. when improvising on such harmony you can make drastic shifts in sound. It is primarily associated with the French impressionist composer Claude Debussy , who used it in such pieces of his as Voiles and Le vent dans la plaine , both from his first book of … Minor Pentatonic 11. In dominant chords based on whole tone/half tone scale between root and #11, b9 and fifth, #9 and 13, third and minor seventh (as described above). However, the whole tone scale has 6 notes that are all a whole step apart, making its intervallic formula easy to remember - W-W-W-W-W-W. Possibly, the most common Melodic Minor derived Triad Pair (although by no means the only one) consists of triads generated from the 3rd & 4th scale steps (Ab-C-E & Bb-D-F in F Melodic Minor) - in other words, an Augmented and a Major Triad a whole step apart. It is difficult to establish a clear tonic pitch when using the whole tone scale; music that uses this scale tends to sound "blurry" or "wandering." The Wholetone Scale, as the name implies, is made up exclusively from whole tones. 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